Hypothesis for the composition of the “color of colors” Martina Morin’s color assumes the happy dimension of a tonal syntax and a “musical” system that chases the global tone of a complex expression. Her pictorial form then takes place in the kaleidoscopic aggregation of the “game” mediated by the gaps and the flat sheets, which…
Read MoreRICCARDO CECCHINI – Chromatic Prisms
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The Ephemeral Art of a Madonnara who travels the world with her talent. Vera Bugatti, a skilled artist in her technique, which makes her theprotagonist on the tarmac, plays a craft built solely on her great identityof “madonnara”. She paints with a smile and chalk, remaining bent withthe knees on the ground for hours and…
Read MoreThe black non-colour is a victim of the popular preconception that associates it with a bad part of reality. Dark colors, implosive, are the mirror of the deep soul, of what is so dense that it traps light, not because it gets rejected or imprisoned but it gets internalized. Roberta Scalvini is a master at…
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The mosaic as a plot of a renewed aesthetic and cultural heritage. The year when Piero Bisazza decides to industrialize the vitreous mosaic, giving new light to the splendour of this ancient art through a contemporary language applied to the large surfaces of modern architecture, dates back to 1956. If it’s true, as it surely…
Read MoreCulture, focus on the territory of Brescia, place for meeting and exchange of knowledge, especially for younger academics. These are the objectives of the “The Florilegium Cultural Association”, born in Brescia a little over a year ago thanks to the efforts of four young enthusiasts, decided to bring out of the university lecture rooms the…
Read More(Ita) Nata a Brescia nel 1971, Antonella Salvadore matura la sua prima formazione artistica frequentando il DAMS di Bologna; in seguito approfondisce la conoscenza del restauro, al quale si dedica per diversi anni. Nel 2007, sentendo crescere l’esigenza di tornare all’aspetto più creativo del suo lavoro, si iscrive alla LABA – Libera Accademia di Belle Arti di Brescia, presso la quale consegue il diploma accademico in Pittura…
Read More(Ita) Annalisa Gregorio è iscritta al Biennio di Arti Visive dell’Accademia di Belle Arti SantaGiulia di Brescia, dopo la laurea in Pittura all’Accademia di Brera. La sua ricerca si è negli anni spostata dall’ambito pittorico in senso tradizionale e bidimensionale, a quello installativo e in particolar modo ambientale, sperimentando la “tenuta” del livello cromatico nel dialogo con la dimensione plastica e l’aspetto fruitivo dell’opera.
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