The Site of Form
The plastic dimension’s “poetic logic ” inevitably associates with the simultaneity of its genesis and with the simplicity of its definition in the field of physical events of the earth: the Arts of man themselves feed on these acquisitions and these foundations, that are globally manifested in the chronological and epochal path of its affirmation and its history.
It happens as well as the concreteness of each structure can manifest the nature of its reason and the synthesis of its existence through the shape of the casing and the depth of the void, justifying and protecting it: the imprint of the volumetric mass digs and bends in that case the consistence of the homogeneous space, which assigns its profile to the evocative dynamics of the image and to the versatile invention of the new thinking.
The sculptural emergency, also rendered as a three-dimensional model, assumes in this case the prophetic energy of every project and every intuition, composing itself in the visionary solution of the “genius loci”: in this context the vital form has its location of reference that in the idea of positioning, purpose and destiny configures its specific aspects of the vocational place.
The form and its context then reach the dimension of unicum in the acquisition of intimate coherence between volume and space, which makes it still possible the appreciation of the places where nature and architecture meet, soldering in the singular fusion between artifice and free pre-established landscape.
The idea of continuity of formal structure and of its tectonic significance is situated therefore still in the middle of the advanced planning logic, which is called upon to interpret and change the heart of proportions and aesthetic suggestions of a contemporary visual scenario, anticipating the artistic and expressive cycle of the desirable civilization of the upcoming beauty.
The Site of Form